Sam Mendes etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster
Sam Mendes etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster

8 Kasım 2012 Perşembe

SKYFALL: The Film Babble Blog Review















    


SKYFALL
(Dir. Sam Mendes, 2012) 

Four years after the lackluster QUANTUM OF SOLACE, James Bond is back in this top notch movie that’s not just one of the best of the entire series, it’s one of the best full throttle straight-up action films in years. 






Definitely of this year, as it’s way more adventurous than THE AVENGERS, dangerously darker than THE DARK KNIGHT RISES, and completely out-Bournes THE BOURNE LEGACY. And that’s just in the first 10 minutes.

In a Turkey-set pre-credits sequence that encompasses a chaotic car chase, a motorcycle chase over rooftops (take that TAKEN 2!), a bulldozer demolishing a train carriage while in transit, and a hand to hand fight on top of that train going through a tunnel, Daniel Craig’s 007 has us in the sweaty palm of his bloody hand.

Bond’s superior, M (Judi Dench), has a larger role than usual as her job heading the MI6 is in jeopardy and she’s being targeted by Raoul Silva (Javier Bardem), a former agent turned cyberterrorist.





To help his boss, Bond travels to Shanghai (always gotta be globe-trotting) to recover the MacGuffin of this movie, a stolen hard drive that identifies many undercover NATO agents. This is where he meets the closest thing this film has to a Bond girl, Bérénice Lim Marlohe, who is under the rule of Bardem.

The spunky Naomie Harris, could be considered a Bond girl, but she’s more of his assistant, and there’s no romance going on there. Despite a quick shot of sex in the cold opening, Craig’s Bond seems less interested in bedding random babes than his predecessors, but that’s maybe just a sign of the times.

Bardem’s Silva is the best villain the series has had since…uh, I’ll say Christopher Walken in A VIEW TO A KILL. Like Walken, Bardem has dyed blonde hair and an unhinged presence. It’s a wickedly funny performance that’s introduced to us in a superb long-shot that has Bond’s back to us (tied in chair), and Bardem slowly getting closer as he puts forward a menacing monologue.

In a shoot-out in Parliament, Bond saves M from Silva and gets her to the safety of his boyhood home in the Highlands, an old crumbling castle named Skyfall. That’s where a STRAW DOGS-ish WITNESS-esque tension resonates as we wait for Silva’s killing crew to arrive.

SKYFALL restores gravitas to the series, and has everything you’d want in a modern day Bond movie. First off, it’s got Craig, who I used to think looked more like one of the thugs that would beat up Bond than Bond, putting in his most intense and riveting acting yet in his third performance as 007. 






Also, this time out, Craig’s equipped with quips as SKYFALL has a lot of laugh out loud lines. This is another plus as his previous turns were pretty close to humorless.

It’s got lovely ladies (Marlohe and Harris), a sharp screenplay (by Bond writer veterans Neil Purvis and Robert Wade, along with 007 newcomer John Logan), incredible cinematography (by Roger Deakins), ginormous explosions, a catchy not-bad theme song (by Adele), near perfect pacing, excellent editing (by Stuart Baird), stunning set-pieces, Bond’s classic Aston Martin, and well chosen supporting cast members, such as Ralph Fiennes as a stuffy higher-up of M’s (great nod to olden days when he says “Don’t cock it up, 007”), and the always welcome Albert Finney as the groundskeeper of the Skyfall estate. 





Oh yeah, there’s also a amusingly befuddled Ben Whishaw (also currently in CLOUD ATLAS) as a young Q, you know, Bond’s go-to gadget guy.



Some of Bond's back story may seem Batman-like, i.e. he comes from a rich family and his parents were both killed when he was a wee lad, but it still didn't feel derivative of the Dark Knight. No, SKYFALL has a different agenda - it wants to re-invigorate a franchise, not give us a lavish end-game.


As super heroes, and brainless spectacle (I’m looking at you THE EXPENDABLES) usually dominates the box office these days, it’s wonderful to report that Bond is back and at his best. Way to celebrate your 50th anniversary 007!





Post note: I guess the iconic gun barrel deal is officially now at the end of the Craig/Bond movies, before the credits roll. That's cool, I can dig it.





More later...



Countdown to SKYFALL #4: The Best Bond Car Stunt Ever




The 23rd James Bond movie, Sam Mendes’ SKYFALL, releases tomorrow, so Film Babble Blog has been all about Bond this week with 007-centric posts leading up to my review of the highly anticipated film.








This time out, let's take a look at what I believe is the best car stunt of the series. In THE MAN WITH THE GOLDEN GUN, Bond (Roger Moore) jumps his car, an AMC Hornet, over a broken bridge and it spins around 360 degrees in mid-air.







The amazing feat was done by stunt driver “Bumps” Willard in one take. It was slowed down with a slide whistle sound effect was added for the final film. You can see the scene below, and there's a sans slide whistle version somebody did, which may be preferable, included:











The stunt was even featured in the cool poster image (by artist Roger McGinnis):











So it goes - a stellar car stunt in a less than stellar Bond movie. Check back here tomorrow for my review of SKYFALL (Spoiler alert: it's stellar).





More later...




5 Kasım 2012 Pazartesi

Countdown to SKYFALL #1: Down The Gun Barrel On Bond

   

Since the 23rd James Bond movie, Sam Mendes’ SKYFALL, releases in 4 days, and also because it's the 50th anniversary of the series, I thought it would be cool to have some 007-centric posts leading up to my review of the highly anticipated film.






   


First, I thought I'd babble about one of my favorite parts of every Bond movie - the gun barrel opening, created by Maurice Binder. It's a piece of pure '60s pop art that I always love seeing. Check out this cut all of the previous 22 gun barrel sequences together in chronological order into this 9:09 clip from YouTube:











    



















    


It's fun to see them back to back, because you get a mini-history of the actors who played Bond and see that Sean Connery and one-timer George Lazenby wore hats, Roger Moore mostly wore a tux (they use the same footage of Moore 5 times), and Pierce Brosnan also wore a tux but struck less of a pose than his predecessors.






Incidentally the first 3 gun barrels aren't Connery, they're stuntman Bob Simmons. For THUNDERBALL, they shot one of Connery that was first shown in color, then in reused in black and white in his next 2 Bonds for reasons unknown.





They re-use the same footage of Brosnan throughout his run too, but they add the bullet coming right at you in DIE ANOTHER DAY. Daniel Craig's first film as 007, 2006's CASINO ROYALE, doesn't open it with the gun barrel bit; it comes at the end of the cold opening leading into the theme song. 





In 2008's QUANTUM OF SOLACE, it appears at the end of the movie before the credits roll. Will it be back to the beginning of SKYFALL to pay homage to the tradition? We shall soon see.





I also love how the above montage of gun barrels works as a mini-history of how Monty Norman's (or John Barry's, uh, it's complicated) “James Bond Theme” changed to suit the times over the years. Listen how it starts out orchestral, then gets vamped up with surf-guitar, becomes slightly funk-ified in the '70s, and all techno-ized in the '90s.





The gun barrel sequence has been parodied many times, too many to list (though I'm sure a site somewhere does), but here's my top 5:





The Simpsons: “And Maggie Makes Three” (Aired: Jan. 22, 1995)










Monty Python's Flying Circus: “The Pantomime Horse Is A Secret Agent” Film from episode 30: “Blood, Devastation, Death, War and Horror” (Aired: Nov. 9, 1972)










Robot Chicken: “Dear Customer” (Aired: Dec. 6, 2009)









Saturday Night Live: Steve Martin as James Bond in “Bullets Aren't Cheap” (Broadcast: Oct. 17th, 1987)











Lego James Bond Gun Barrel Sequence (source unknown)















More later...