This is not very dissimilar from a moment in Celine Sciamma's recent film Tomboy, where young Laure's mother makes her wear a dress, even though we've only seen her in boys' clothes. I would say, though that that scene was much more interesting as it was not simply a superficial statement, but much more of a psychological one. Garcia might have been attempting to make a psychological statement, though it just falls flat. It's a strange feeling to see a character we think of as a man dressed as a woman, though I'm not really sure what to make of it. I'm not sure Garcia explains his intentions well enough here.
Nobbs is a butler in a Victorian-era Dublin hotel, where he has worked for years. It seems at some point it became easier for her to get a job as a butler than as a woman servant, so she decided to cross dress and identify as a man. There's certainly a suggestion that he identifies as a gay woman, though the psychology gets very uncertain. One night Nobbs has to share his bedroom with Page, who is in the hotel repainting the walls, and they each find out the other's secret (by opening their shirts and showing their breasts. Subtle.). It seems Page made a decision to live as a man to protect herself from an abusive husband a long time ago. Now he lives as a transsexual in a relationship with a woman. When Nobbs decides to get out of the hotel game (why now?!), he decides he should marry young Helen (Mia Wasikowska) a girl who seems more interested in the hunky handyman than Nobbs.
Aside from the frustration of not really understanding the psychological point of view of Nobbs, this story is extra annoying as it shows Nobbs making only bad decisions. Why in the world would he want to marry Helen? She seems totally average and not unlike hundreds of other chambermaids he might have met over the years. Why would he decided to get out of hotel butlering now when it seems like a very safe place for him? Why not open a tobacconist shop alone without a wife?
I don't think Garcia explains enough here about the motivation of Nobbs or what goes into his decisions. It seems like he's leaving most of that interpretation work up to the audience to figure out, but I don't think that's very fair in the context of this film. I have no good idea about Victorian mores regarding cross-dressing and transsexuals and I don't think we know enough about what Nobbs' deep feelings are regarding Helen or any other woman. Does he really love her? Is she just the means to a "normal" end? Does he have similar feelings toward Page? It's all very muddy and difficult to understand.
Stars: 1.5 of 4
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