Colombiana film izle

Colombiana (Türkçe Dublajdır.)
Filmin Yapım Yeri: ABD
Filmin Yapım Yılı: 2011
Filmin Türü: Dram - Aksiyon - Suç
Filmin Yönetmeni: Olivier Megaton
Filmin Oyuncuları: Zoe Saldana,  Cliff Curtis,  Michael Vartan,  Jordi Molla,  Lennie James,  Amandla Stenberg,  Jesse Borrego,  Beto Benites
Filmin Senaristleri: Luc Besson,  Robert Mark Kamen
Film Hakkında: Colombiana filmi 2011 yılında ABD çekilmiş olan bir aksiyon filmidir. Aksiyon severlere duyrulur...
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Ejderha Dövmeli Kız film izle

Ejderha Dövmeli Kız (Türkçe Altyazılıdır.)
Filmin Yapım Yılı: 2011
Filmin Yapım Yeri: ABD
Filmin Türü: Gizem - Polisiye - Dram - Suç - Gerilim
Filmin Yönetmeni: David Fincher
Filmin Oyuncuları: Brad Pitt, Jim Carrey, Nicolas Cage, Al Pacino, Robert De Niro, Daniel Craig, Alexandra Daddario, Robin Wright Penn, Stellan Skarsgård, Christopher Plummer, Rooney Mara, Joely Richardson, Julian Sands, Goran Visnjic, Embeth Davidtz, Arly Jover, Tess Panzer, Steven Berkoff, Yorick Van Wageningen, Anya Benton, Elodie Yung, Moa Garpendal, Sahlima, Matthew Tilley, Cate Montgomery, Patrick Holland, Ciel Turich, Mathilda Von Essen, Sandra Andreis, Caroline Jaden Stussi, Yasmine Vine, Kalle Josephson, Leah Harshaw, Jenifer Brougham, Maja Christenson, Sarah Gaboury, Matt Mcabee, Henry Hereford, Matthew Wolf, Gustaf Hammarsten, Simone Gad, Donald Sumpter, David Dencik, Maxine English, Joel Kinnaman, Geraldine James, Pati Lauren, Bengt C.w. Carlsson, Spring Hill, Tony Way, Karen E. Wright
Filmin Senaristi: Steven Zaillian
Film Hakkında: Film 2011 yılında ABD de çekilmiş olan dram ve gerilim dolu gizemli bir polisiye filmidir.
Filmin Konusu: Ejderha Dövmeli Kız filminde: Mikael isimli bir gazeteci işini çok severek yapmaktadır. Muhabirlerden kendine ulaşan asılsız bir haberin doğruluğuna inandırılmış ve çok ünlü bir işadamını gazete yazısında suçlamıştır. Bunun yüzünden yaşamı mahvolur işinden kovulması an meselesidir. Gazetesi artık onunla çalışmak istememektedir. Tüm basın röportaj yapabilmek için onun peşine düşmüş fakat o kendini eve kapatmıştırdır. Lisbeth’te namı diğer Ejderha Dövmeli Kız onun peşinde olanlardan biridir. Ama onun amacı farklıdır. Yaptıklarından dolayı hapse girmeyi beklerken ona büyük iş teklifi gelir.Vanger firmasının patronu Henrik Vanger , yıllar önce kaybolan yiğenini bulmasını ister.
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Haywire (Sunday, January 29, 2012) (5)

Steven Soderbergh is a good and talented filmmaker. Above everything else, he's a great watcher of other, older movies. Maybe that's why I generally like his movies, or, at a minimum, find his work interesting, because I feel like he's a movie watcher just like I am.

His newest film, Haywire, is a really fun, small action film that plays very much like one of those sleek post-Bond action flicks, like John Boorman's Point Blank (with Lee Marvin). The story here is not too complicated (well, there are lots of moving parts to it, but it's not too hard to follow), the action scenes, fights and chases, look great, it does not spending too much time dwelling on character development and pathos (it's an action film, after all) and it all ties up well in the end.

Mallory (MMA star Gina Carano) is a super spy who works for some private firm that consults with the CIA. When a job goes pear-shaped she finds that people on her own team might be out to get her and she looks to find them before they can find her. She seems always a half-step ahead of them and is not afraid to put on heels and a black dress and kill people (like a girl James Bond). It's a very sleek movie, though nothing too deep or psychologically rigorous.

It's always a big risk to cast a non-actor in a major role, especially one like this which is not really autobiographical. I think Soderbergh rather enjoys making the audience feel uncomfortable with non-actors in major roles, a bit of a thumbing his nose at Hollywood tradition.

Carano does a very good job here, actually (much better than the last non-actor SS had in one of his movies, when anal porno superstar Sasha Grey was in The Girlfriend Experience in 2009), and comes off as an aw-shucks girl next door... but a badass one. She's totally sexy - and thick, which is doubly sexy - and plays well opposite the various males who want to lay her (Michael Fassbender, Channing Tatum, Ewan McGregor). I'm not sure she has a lot of other acting roles left in her career, but this is a great effort here.

I also appreciate that this is a pocket-sized action flick. It's a lot of fun and doesn't have the bombasity of a bigger-budget action movie, like a Mission: Impossible or a late-model Bond. It's got a great look, a great soundtrack (by David Holmes), and is a lot of fun.

Stars: 3 of 4

Roadie (Sunday, January, 29, 2012) (4)

Michael Cuesta's last major film, L.I.E. is a very interesting look at suburbia and teen sexuality. His newest film, Roadie, has almost none of the same subtlety and interest. This is a bit unfair, though, as this film also has almost none of the same expectations going in (like I'm kicking a handicapped kid when he's down). It's not a bad movie, but it just doesn't live up to the filmmaker's previous work.

Jimmy (Ron Eldard) is a 40-something guy who has worked for 20-some years as a roadie for the Blue Oyster Cult on their various international tours. He returns to his mother's house in Queens one day after getting fired (finally) and has to face the reality of the total end of his musical dream. He will not become a rock star and will never be discovered. This is the end of the road for him. When he goes into the local bar, he meets Randy (Bobby Cannavale), a bully from his high school days, who is now married to Nikki (Jill Hennessey), his former flame. Life has come to a similar halt for these two, but they seem happy in their mediocrity. Jimmy begins to lie about the direction of his life and reconnect to Nikki, though his true life might come back to bite him.

The tone map for this film would go something like, "sad, pitiful, very sad, sad." I actually like that this never gets very happy and that everything is generally beige and ugly (it's Queens, after all). This is a pretty true picture of life, really, and I like that it's not made prettier than it should be. But still, it's a bit strange to see a movie that really doesn't show much development of the characters nor change in emotions. This is a very thematic and psychologically monotone story and never really develops well. Not that it's bad, but that it's frustrating to experience. I like its realism, but it's not a world I want to spend much time in (real life is hard enough, amaright?!).

Stars: 2.5 of 4

Karadedeler Olayı film izle

Filmin Adı: Karadedeler Olayı
Filmin Yapım Yeri: Türkiye
Filmin Türü: Korku - Gerilim - Gizem - Belgesel
Filmin Süresi: 78 dk.
Filmin Yönetmeni: Erkan Bağbakan,  Erdoğan Bağbakan
Filmin Oyuncuları: Murat Han,  Berk Balcı,  Ada Hackett,  Ipek Ayaz
Filmin Senaristi: Erdoğan Bağbakan
Filmin Yapımcısı: Pra Films
Filmin Konusu: 1989 yılının ocak ayında gazeteler bir köyde yaşanan garip olaylar hakkında yayınlanan bazı haberler, genç gazetecinin ilgisini çeker. Köye giden gazeteci, oldukça korkmuş ve gergin köylülerden gece köyün çevresinde dolaşan yaratıklar olduğunu, köyün bir şekilde cinler tarafından basıldığını öğrenir.Genç gazeteci birkaç hafta köyde kalır fakat olağanüstü bir şey görmeyince kamerasını köydeki bir gence emanet ederek İstanbul’a geri döner. Üç gün sonra ise köyün jandarmaları tarafından gözaltına alınır: kamerasını emanet ettiği genç de dâhil olmak üzere köyden yedi kişi parçalanarak öldürülmüştür. Genç gazetesinin ifadesi alındıktan sonra serbest bırakılır ama bütün eşyaları ormanda terk edilmiş olarak bulunur; kayıplara karışır.
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Kara Kutu - The Black Box film izle

Kara Kutu - The Black Box (Türkçe Dublajdır.)
Filmin Yapım Yılı: 2005
Filmin Yapım Yeri: Fransa
Filmin Türü: Gerilim - Gizem
Filmin Süresi: 90 dk.
Filmin Yönetmeni: Richard Berry
Filmin Oyuncuları: Marion Cotillard, Jose Garcia, Michel Duchaussoy, Bernard Le Coq
Filmin Senaristleri: Eric Assous, Richard Berry
Filmin Yapımcısı: Michel Feller
Filmin Konusu: Kara Kutu (The Black Box) filminde: Trafik kazasından sonra biri ağır yaralanmış ve komaya girmiştir. Bunu hoş ve güzel bir hemşire gözetimi altında tutmaktadır. Güzel hemşire trafik kazası geçiren hastasının uykuda sayıkladıklarını bir yere not edecektir ve o kendine geldikten sonra bütün bunları ona açıklayacaktır.
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Albert Nobbs (2011) (Friday, January 27, 2012) (149)

There is one interesting scene in Rodrigo Garcia's film Albert Nobbs. At one moment, Albert (Glenn Close) and his friend Hubert Page (Janet McTeer), both of whom are living as men, though they are biologically woman, go for a walk on the beach dressed in women's clothes. This has a certain strange quality to it, as we know well that both of these characters are women and that dressing as such should not be a problem, but as we've spent 80 minutes watching them as men, it still feels like they're just two guys cross dressing.

This is not very dissimilar from a moment in Celine Sciamma's recent film Tomboy, where young Laure's mother makes her wear a dress, even though we've only seen her in boys' clothes. I would say, though that that scene was much more interesting as it was not simply a superficial statement, but much more of a psychological one. Garcia might have been attempting to make a psychological statement, though it just falls flat. It's a strange feeling to see a character we think of as a man dressed as a woman, though I'm not really sure what to make of it. I'm not sure Garcia explains his intentions well enough here.

Nobbs is a butler in a Victorian-era Dublin hotel, where he has worked for years. It seems at some point it became easier for her to get a job as a butler than as a woman servant, so she decided to cross dress and identify as a man. There's certainly a suggestion that he identifies as a gay woman, though the psychology gets very uncertain. One night Nobbs has to share his bedroom with Page, who is in the hotel repainting the walls, and they each find out the other's secret (by opening their shirts and showing their breasts. Subtle.). It seems Page made a decision to live as a man to protect herself from an abusive husband a long time ago. Now he lives as a transsexual in a relationship with a woman. When Nobbs decides to get out of the hotel game (why now?!), he decides he should marry young Helen (Mia Wasikowska) a girl who seems more interested in the hunky handyman than Nobbs.

Aside from the frustration of not really understanding the psychological point of view of Nobbs, this story is extra annoying as it shows Nobbs making only bad decisions. Why in the world would he want to marry Helen? She seems totally average and not unlike hundreds of other chambermaids he might have met over the years. Why would he decided to get out of hotel butlering now when it seems like a very safe place for him? Why not open a tobacconist shop alone without a wife?

I don't think Garcia explains enough here about the motivation of Nobbs or what goes into his decisions. It seems like he's leaving most of that interpretation work up to the audience to figure out, but I don't think that's very fair in the context of this film. I have no good idea about Victorian mores regarding cross-dressing and transsexuals and I don't think we know enough about what Nobbs' deep feelings are regarding Helen or any other woman. Does he really love her? Is she just the means to a "normal" end? Does he have similar feelings toward Page? It's all very muddy and difficult to understand.

Stars: 1.5 of 4

Miss Bala film izle

Miss Bala (Türkçe Altyazılıdır.)
Filmin Yapım Yeri: Meksika
Filmin Türü: Dram - Aksiyon
Filmin Süresi: 113 dk.
Filmin Yönetmeni: Gerardo Naranjo
Filmin Oyuncuları: James Russo,  Miguel Couturier,  Noe Hernandez,  Stephanie Sigman,  Jose Yenque,  Irene Azuela
Filmin Senaristleri: Mauricio Katz,  Gerardo Naranjo
Filmin Yapımcısı: Pablo Cruz
Film Hakkında: Miss Bala filmi Meksika'da çekilmiş olan bir aksiyon filmidir. Yer yer bazı sahnelerinde dramada bulunmaktadır.
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MAN ON A LEDGE Has No Edge

MAN ON A LEDGE (Dir. Asger Leth, 2012)

Although it isn't a comedy, MAN ON A LEDGE has more laughs than last fall's similarly themed TOWER HEIST, but most of them aren't intentional.

It's not because the plot, which concerns an ex con who climbs out on the ledge of a high rise Manhattan hotel room to distract everybody from noticing a heist at another building nearby, is so ridiculously implausible - it's just pulled in so many ridiculously implausible directions that it's laughable.

Sam Worthington (AVATAR, CLASH OF THE TITANS) is the title character who toys with the police, including Edward Burns as a a wise cracking detective and Elizabeth Banks as a NYPD negotiator, as he seemingly threatens to jump.

You see, Worthington was screwed over by Ed Harris as a Donald Trump type tycoon, so he's enacting a convoluted revenge involving a big-time diamond heist. It involves Jamie Bell (as Worthington's brother) with his squeeze Génesis Rodríguez breaking into Harris's vault while our hero keeps the cops and the crowd occupied.

Everything moves along briskly, but it's such standard stake-less stuff that it takes no hold.



Worthington doesn’t have a worthwhile character to inhabit, the glibness of Banks’ part would be better suited for a sitcom, Harris doesn’t care enough to even slightly nibble the scenery, and Rodríguez is on hand only to provide cleavage.



Also misused is Kyra Sedgwick as a TV reporter on the sidelines milking the event for ratings - a role that’s been done to death and it never comes alive here.



Laughs of the eye-rolling variety are all MAN ON A LEDGE is good for, and there aren’t enough of those to make it recommendable.



So I know it sounds like it could be something worth stopping and taking a look at, but move along folks!



Nothing worth seeing here.



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Warrior (2011) (Thursday, January 26, 2012) (148)

I had no interest in seeing Warrior when it came out. It looked like any average boxing movie that have been made over the years (there have been a lot of them recently). But then it got an Oscar nomination for supporting actor for Nick Nolte, so I decided I'd give it a change. Well, it's really nothing more than your average boxing movie - though this time it's not boxing, per se, but mixed marshal arts (MMA).

The film follows two brothers, Brendan Conlon (Joe Edgerton) and Tommy Conlon (Tom Hardy), who live in Philadelphia and Pittsburgh respectively. They were both raised partly by their drunk dad, Paddy (Nolte), who was an ex-Marine and a high school wrestling coach. It seems at some point their mother took them to the West Coast, from where they split up. Later, Brendan became an amateur MMA fighter and Tommy went to the Marines and served in Iraq.

Back to the present day, they are both having a hard time in life, both underemployed and looking for a shot of cash to make everything better. They both begin training for some big super MMA tournament that apparently people care a lot about (because that's just like it would be if this happened outside of a movie!). Against big odds they both make their way to the final match where they have to face one another. Oh - and there's something about both of them dealing with their drunk dad, who is soberish but still a jerk.

There's really nothing special about this movie, aside from the fact that it runs about 130 minutes, which is way too long. All the traditional tropes of fight movies are present here, the pretty but powerless wife/girlfriend, the underdog gaining respect by brawling, the fighter who is also a physics teacher (no, he doesn't also play the violin).

Nolte is fine here, though there's really no reason for him to have gotten the Oscar nom. He's basically playing himself again, drunk who can sober up here and there, but is generally a psychologically underdeveloped man. He's not a leader and hero the way Mickey from Rocky is, nor is he an outright scoundrel. This is much more of a boxing movie for kids who prefer MMA to boxing than any sort of interesting or compelling narrative.

Stars: 2.5 of 4

Phil Ochs: There But for Fortune (2011) (Thursday, January 26, 2012) (147)

There But for Fortune is a very good biodoc about the life and career of the great folk singer and Lefty activist Phil Ochs. It shows how he came up in the late-'50s Greenwich Village folk scene, how he was friendly and competitive with Dylan and how he got involved in the various civil rights and anti-war movements of the Left. The third act, about his fall into manic-depression and his ultimate suicide is a bit rocky as it features less music and, as a result of his doing fewer interviews, more speculation by his friends.

Still, the music throughout the film is, of course, fantastic, and this really shows Ochs as the musical and cultural genius and firebrand that he was. It's sad that he's not thought of by most in the same way Seeger, Dylan and Baez are, but his work clearly stands shoulder-to-shoulder with any of theirs.

Stars: 3 of 4

HappyThankYouMorePlease (2011) (Thursday, January 26, 2012) (146)

It's an old story. A guy on a subway train, who is late for a meeting, finds a lost little boy and takes him in, learning more about himself as he teaches the boy things about life and the city. No, this isn't Chaplin's The Kid, nor is it Adam Sandler in Big Daddy. It's HappyThankYouMorePlease, Josh Radnor's pet project that he wrote, directed and stars in.

This is a nice little ensemble comedy about Sam (Radnor), a New York writer who is rather stuck in his life. He meets Rasheen (Michael Algieri) on the subway and all of his friends think he's nuts for not going to the cops to find his family. It seems that Rasheen is a foster kid and is just as happy with Sam as with his foster people. Sam's cousin, Mary Catherine (Zoe Kazan), is an artist and in a rather rocky relationship with her boyfriend and his best friend, Annie (Malin Akerman), has alopecia and works in a law firm where she's hit on by all the nerdy lawyers, despite not having any hair on her head. With Rasheen as the catalyst everyone finds their own happy way.

There's nothing particularly wonderful about this film, but nothing really terrible about it either. It's a movie I've seen a few times already and nothing really fresh at all. The best thing in the film is the discovery of young Algieri, who seems to really have something... but he's a kid and those things are designed to be cute.

I give Radnor credit for writing a movie and casting the beautiful Kate Mara as the romantic love interest. That's a great idea, bro. I'd have done the same, I'm sure!

Stars: 2.5 of 4

What's Your Number? film izle

What's Your Number? (Türkçe Dublajdır.)
Filmin Yapım Yılı: 2011
Filmin Yapım Yeri: ABD
Filmin Türü: Romantik - Komedi
Filmin Süresi: 106 dk.
Filmin Yönetmeni: Mark Mylod
Filmin Oyuncuları: Anna Faris,  Chris Evans,  Zachary Quinto,  Matthew Bomer,  Ari Graynor,  Andy Samberg,  Dave Annable,  Chris Pratt,  Kate Simses,  Tika Sumpter,  Eliza Coupe,  Alexandra Mcdougall,  Frankie ımbergamo,  Kevin Pasdon,  Alexandra Bussell,  Jennifer Salvucci,  Barbara Guertin,  Jeff Martineau,  James Barrett,  Andy Favreau,  Brina Healy,  Tyler Peck,  Jacqueline Hendy,  Donald Warnock,  Jeffrey Corazzini,  Oliver Jackson-cohen,  Jim Bickerton,  Carl Alleyne,  Darren Tow
Filmin Senaristleri: Karyn Bosnak,  Jennifer Crittenden,  Gabrielle Allan
Filmin Yapımcıları: Tripp Vinson,  Beau Flynn
Filmin Konusu: "What's Your Number?" filminde; Bir kadın 20 erkek arasından birini seçer. Ve eğer seçtiği erkek ona gerçek aşkı tattırırsa tüm hayatını o erkeğe adayacaktır. Acaba seçtiği erkek istediği bir erkek midir? bunu filmin ilerleyen sahnelerinde göreceksiniz.
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Salgın - Contagion film izle

Salgın - Contagion (Türkçe Dublajdır.)
Filmin Yapım Yılı: 2011 
Filmin Yapım Yeri: ABD
Filmin Türü: Korku - Gerilim - Aksiyon - Dram - Bilim Kurgu
Filmin Süresi: 105 dk.
Filmin Yönetmeni: Steven Soderbergh
Filmin Oyuncuları: Kate Winslet,  Matt Damon,  Jude Law,  Marion Cotillard,  Gwyneth Paltrow,  Laurence Fishburne,  Sanaa Lathan,  Bryan Cranston,  John Hawkes,  Monique Gabriela Curnen,  Elliott Gould,  Jennifer Ehle,  Josie Ho,  Chin Han,  Jillian Armenante,  Rebecca Spence,  Armin Rohde,  Usman Ally,  Jessica Gonzales,  Zane Mcıntosh,  Guy Massey,  Joshua Weinstein,  Mark Roman,  Dave Mcnulty,  Errol Suleyman,  Paul D. Morgan,  Duke Czlonka,  Deanna Marks,  Michael Meyerson,  Pat Frey,  Chris D. Thomas,  Kimber Closson,  Stef Tovar,  Brian J. O\'donnell,  Catherine Kim Poon,  Nick Ferrin,  Michael ıngersoll,  Shavonne Caldwell,  Sue Redman,  Tracey Kaplan,  Rick Uecker,  Bob Kolbey,  Philippe Debaty,  Jonathan Pessin,  Vinnie Langdon,  Wendy Tremont King,  Sarab Kamoo,  Tom Mcelroy,  Joshua Rollins,  Ahmed Boulane,  Debbi Burns,  Sarah Kliban,  Demetri Martin,  Suzanne Lang,  Shannon Edwards,  Thomas Kosik,  Kenny Lo,  Melanie Case,  Steven James Price,  Tony Lee Gratz,  Bennie Bell,  Thomas W. Stewart,  Conrad Clifton,  Howie Johnson,  John Hoogenakker,  Tien You Chui,  Dan Latham,  Jason Babinsky,  Eduardo Ambriz Decolosio
Filmin Senaristi: Scott Z. Burns
Filmin Yapımcıları: Steven Soderbergh,  Stacey Sher,  Chen On Chu,  Michael Polaire,  Michael Shamberg,  Gregory Jacobs,  Zakaria Alaoui
Filmin Konusu: Salgın (Contagion) filminde; Çok tehlikeli bir hastalık insanları öldürmeye başlar ve hızla yayıldığı için tüm insanlar yavaş yavaş ölmeye başlar. Çeşitli ülkelerden bir grup doktor hastalığa bir an önce çare bulabilmel için gerilimle dolu bir mücadele ve maceraya atılırlar…
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Sleeping Beauty (2011) (Wednesday, January 25, 2012) (145)

Julia Leigh's sex rompy Sleeping Beauty should not be confused with Catherine Breillat's politico-Freudian film The Sleeping Beauty (the definite article is very important). The two films have very little to do with one another, aside from both having female protagonists. In the Leigh, Lucy (the super fetching Emily Browning) is a college student who works several odd jobs to make her way. She does medical experiments, works as a copy girl in an office, waits tables and turns tricks in nightclubs and for private clients.

One day she is hired by a fancy lady for a strange and secretive group of rich men in some elite and sex-focussed supper club. She's told to strip down to her underwear and pour wine in the fancy dining room, for which she's paid very well. The next day she is served a sedative and asked to lay down naked in bed while one of those old men uses her (with no penetration, leaving no scars, of course) until she wakes up. It's not clear what this sexual servitude means or what exactly happens, but, again, she's well paid for her work.

This film is what happens when someone only looks at Pasolini's Salo from a superficial perspective. In fact several of the set-ups seem to be taken directly from that film (particularly the post-dinner brandy session where two women curl up on the floor showing their anuses). I have to admit, I don't really get this film or what it's trying to say. Unlike with the Pasolini, there doesn't seem to be a strong political underpinning to the narrative, although the supper club members are clearly super rich and powerful. It seems that Leigh blushes a bit too much and doesn't go as far or as strong as PPP went in his film, as she shows only fleeting nudity and tries to remain decent as much as possible (though I'm sure Browning's contract also had something to do with that).

This is a lightly erotic film, but really only inasmuch as it shows a young woman with a tiny body in little or no clothes doing some near-sexual things (there's really no fucking, per se). This is yet another example of how filmmakers trade ellipsis for meaning, hoping you'll do most of the heavy lifting on your own. The problem here is that the story is so incomplete there is no way to fully understand it.

We can guess that the men in the supper club are rich masters of the universe and they have these strange interactions with young girls as a way of disproving their mortality, but we really have nothing to base this idea on aside from circumstance. Furthermore, as much as these men seem to be bourgeois and monied, Lucy and her peers are economically unknown, so there's not really a full Marxist argument being made.

Technically this is a totally gorgeous film (aside from Browning's own technical gorgeousness). The cinematography by Geoffrey Simpson is crisp yet dreamy. The costumes and production design (by Shareen Beringer and Annie Beauchamp, respectively) are perfect for the content (or suggested content) of the film and create lush and glamorous interiors.

I feel like Leigh is on the edge of having a very good movie here, but there is just too much left untold.

Stars: 2.5 of 4

Bonsai People: The Vision of Muhammad Yunus (Tuesday, January 24, 2012) (3)

The title of this film, Bonsai People, comes from one of Muhammad Yunus' millions of aphorisms about how people are like bonsai trees and that they can grow but they need care and love and the right soil. Yunus is a really great guy. He saw a need for micro-lending in his native Bangladesh and began the Grameen Bank, a nimble bank that broke with international tradition by lending small amounts of money to the poorest people they could find. Grameen's clients are almost all women who are looking for small loans under $100 to buy a cow or a few small trees or some seeds to start a small business. This documentary looks at all that Grameen and Yunus do.

After Yunus got tons of attention in 2006 when he won the Nobel Peace Prize, international companies fell all over themselves to work with him in one of the zillions of Grameen off-shoots, in health, housing, farming, livestock, childhood and women's education, disaster relief, food and on and on. The film is punctuated with some of Yunus' more wholesome and banal chestnuts ("Credit is a human right;" "Give a man a fish and he eats for a day; teach him to fish and he eats for a lifetime;" "Making an impact in people's lives is as important as making money.") and we see how his policies and ideas are helping to life poor women out of poverty throughout Bangladesh.

Strangely criticisms of Grameen's lending practices are mentioned and quickly dismissed. We never really see what happens to women who can't pay back their debts and why (there's a suggestion that health care emergencies sometimes get in the way of paying back the loans... but that seems like a much too specific reason). There's also a strange sense, in discussion with some of Grameen' more long-term borrowers, that the bank acts as a bit of a pusher forcing women to take loans they might not need or want. One women proudly shows off her beautiful house and farm paid for by work and Grameen loans. Wonderful - but it does feel a bit like she's a junkie showing all the wonderful different drugs her dealer has given to her. A bit strange. I wish there had been a bit more balance to this portrait and that it came off as less of a propaganda tool than it does.

Stars: 2.5 of 4

Diplomat - The Diplomat film izle

Diplomat - The Diplomat (Türkçe Dublajdır.)
Filmin Yapım Yılı: 2010
Filmin Yapım Yeri:  ABD
Filmin Türü: Gerilim
Filmin Yönetmeni: Chris Nahon
Filmin Oyuncuları: Paul Walker,  Kevin Costner,  Guy Pearce
Filmin Senaristi: Peter A. Dowling
Filmin Yapımcıları: Robert Dinozzi,  Peter Dowling
Film Hakkında:  Film 2010 yılında ABD de çekilmiş olan gerilim dolu sahneler içeren bir yapıttır.
İyi seyirler dileriz...

Putlocker

Page One: Inside the New York Times (2011) (Monday, January 23, 2012) (144)

Page One: Inside the New York Times is a documentary that follows the Media desk of the New York Times during the end of 2009 and early 2010. One of the main characters of the film is Media columnist and reporter David Carr, and with his rough Upper Midwest voice, he takes on all attackers who claim that the paper is going under and that the days of broadsheet print are over.

Throughout the film stories pop up, get discussed, are printed and then forgotten. We see the first WikiLeaks video dump showing US armed forces killing Reuters journalists, we see the late-2009 withdrawal of combat troops from Iraq, we see the Tribune Company fall apart. With each story it is clear that the editors and writers of the Times are serious thinking people who try to look at more than one side of the issue.

Meanwhile, from every angle, they are under attack from other journalists and news media players such as blogs and news aggregators who claim that the world wouldn't be so bad if there were no more Times. Each time this comes up, director Andrew Rossi shows that the claim is worthless without a full consideration of the ramifications of such a situation. The New York Times is the originator of many stories each day and a world without it might very well be a worse place.

This is clearly a glamor project that shows how wonderful and smart everything surrounding the New York Times is. There are brief mentions of the Carlos Slim loan to the Times, the new building and it's sale-leaseback deal, the new pay-wall on the website and the buyouts of old staffers. Mostly we see how a bunch of young (mostly) good looking (mostly) men make tough decisions all the time.

I generally don't like films like this that come off as much as an advertisement for the subject as a document about it, but this is generally not too offensive. It is interesting and clever how stories come and go through the film just as they do on the front page of the paper. Still, it sometimes seems like a movie with no plot and no beginning or end.

Stars: 2.5 of 4

İntikamın Bedeli - Seeking Justice film izle

İntikamın Bedeli - Seeking Justice (Türkçe Altyazılıdır.)
Filmin Yapım Yılı: 2011 
Filmin Yapım Yeri: ABD
Filmin Türü: Dram - Aksiyon - Gerilim
Filmin Yönetmeni: Roger Donaldson
Filmin Oyuncuları: Nicolas Cage,  Guy Pearce,  Jennifer Carpenter,  January Jones,  Donna Duplantier,  Irone Singleton,  Xander Berkeley,  David Jensen,  Cullen Moss,  Harold Perrineau,  Mike Pniewski,  J.d. Evermore,  Beyza Uz,  Kylie Creppel,  Monica Acosta,  Marcus Lyle Brown,  Jason Davis,  Wayne Pére,  Joe Chrest,
Filmin Senaristleri: Robert Tannen,  Todd Hickey
Filmin Yapımcıları: Tobey Maguire,  Douglas Hansen,  Julie Goldstein,  Ram Bergman,  James D. Stern
Filmin Konusu: İntikamın Bedeli filminde bir adamın karısı korkunç bir cinayete kurban gitmektedir. Daha sonra adamın çektiği acılar ve izlediği yollar aksiyon gerilim ve drama dolu sahnelerle anlatılıyor.
İyi seyirler dileriz.

Movshare

Putlocker (Alternatiftir.)

The Film Babble Blog Top 10 Movies Of 2011

2011 was a pretty unremarkable year for movies.



I saw over 130 films on the big screen and the vast majority of them sucked. Few films caught on at the art houses, and the multiplexes were dominated by super hero movies and sequels - 9 out of the top 10 grossing films were sequels, and the only one that wasn't was THE SMURFS which should really tell you something about how sucky the year was.



However, there were a handful of excellent films, so here's my top 10 favorites:



1. THE TREE OF LIFE (Dir. Terrence Malick)

 

The reaction to this film has been extremely divisive (my wife hated it for example), but no other film this last year made a bigger dent into my cinematic pysche. In my review last summer, I wrote that “the visual thrust is stupefying; it’s like Malick is actually trying to capture God on film.” Read my review here.



2. HUGO (Dir. Martin Scorsese)

Scorsese's first film in 3D is very personal tribute to the magic of filmmaking, focusing on a young French boy (Asa Butterfield) who discovers the toy shop owner at the train station is the legendary Georges Méliès (Ben Kingsley), who has been called the world's first Cinemagician. It's a stunning and touching piece of work that is an amazing addition to Scorsese's incredible canon. Read my review here.



3. DRIVE (Dir. Nicolas Winding Refn)

Ryan Gosling plays a Hollywood stunt driver who moonlights as a getaway driver in this moody, stylish thriller that has a '80s retro feel. Winding Refn brings out standout performances from Gosling, Carey Mulligan, Bryan Cranston, and especially Albert Brooks, who should really get an Academy Award nomination for his turn as a murderous mobster.



4. THE ARTIST (Dir. Michel Hazanavicius)

When "talkies" start taking over cinema in the late '20s, a silent film star (Jean Dujardin) finds his fame fading while an actress dancer (Bérénice Bejo) he helped get into show business becomes a big star. It's a beautifully shot black and white (and actually silent) homage to the Golden Age of Hollywood, and I savored every second of it. Read my review here.



5. MIDNIGHT IN PARIS (Dir. Woody Allen)

This charming comedy, which features Owen Wilson as a writer who is somehow transported to Paris in the '20s, is Woody Allen's highest grossing film ever, and it's his best film since VICKY CRISTINA BARCELONA. Read my review here.



For my full reviews of the rest – please click on the highlighted titles:



6. MARTHA MARCY MAY MARLENE (Dir. Sean Durkin)



7. PAGE ONE: INSIDE THE NEW YORK TIMES (Dir. Andrew Rossi)



8. 50/50 (Dir. Jonathan Levine)



9. BRIDESMAIDS (Dir. Paul Feig)



10. RED STATE (Dir. Kevin Smith)



Man, I hope 2012 is a better year for movies.

More later...

Mavi Gözlü Dev film izle

Filmin Adı: Mavi Gözlü Dev
Filmin Yapım Yılı: 2007 
Filmin Yapım Yeri: Türkiye
Filmin Türü: Dram - Biyografi - Politik
Filmin Süresi: 118 dk.
Filmin Yönetmeni: Biket İlhan,
Filmin Oyuncuları: Özge Özberk,  Okan Yalabık,  Yetkin Dikinciler,  Dolunay Soysert,  Uğur Polat,  Sinan Tuzcu,  Ahmet Mümtaz Taylan,  Devrim Nas,  Turgay Tanülkü,  Mahmut Gökgöz,  Suna Keskin,  Ferit Kaya,  Nurettin Gökbulut,  Rıza Sönmez,  Nil Günal,  Ufuk Aşar,  Derviş Tezcan,
Filmin Senaristi: Metin Belgin
Filmin Yapımcıları: Biket İlhan,  Selay Tozkoparan Oğuz
Filmin Konusu: Mahkûmların portresini yapan Nâzım’ın aklı yalnızca karısı Piraye’dedir. Günlerdir ne mektup, ne telgraf gelmiştir. Hasretin dinmeyen sızısı, siyatik ağrılarından da beterdir. 2. Dünya Savaşı’nın vahşeti ve sefaleti tırmanırken; şair, Müdür Tahsin Bey’den kötü haberi alır. Hakkında verilen 28 yıl hapis cezası onaylanmıştır.

Putlocker

My Piece of the Pie (2011) (Saturday, January 21, 2012) (143)

My Piece of the Pie is Cédric Klapisch's latest film about class and power in France. Middle-class mother of three, France (Karin Viard), lives in Dunkirk when her factory is shut down and she loses her job. Depressed that her life is not what she had hoped it would be, she goes to Paris to get trained to be a maid. She is sent to work for Steve (Gilles Lellouche), a French stock broker who has been working in London for a decade. Now back in Paris, he hopes to settle down and get married.

The problem is that he's a pig with women and doesn't understand that money can't buy happiness or love. He treats all women badly in general, be they girlfriends, Russian prostitutes or fashion models who he whisks off for a weekend in Venice. When his young son is dropped off at his apartment by his ex, he finds himself in desperate need of France's child rearing expertise. The two grow closer as they spend more and more time together, as she looks after his son and mothers him as well.

As with other Klapisch films, this has a generally light and happy tone, even silly at times (and yes, as with all of his films, there are two fun dance sequences in it). Viard and Lellouche are both great and totally relate well as maid-boss, mother-son and maybe more. Unlike a film such as Laurent Cantet's beautiful Time Out, another French film dealing with lay-offs and also featuring Viard, the economic criticism and despair over losing a job is not as seamless. Here, the near-romcom of France and Steve seems rather separate from the bitterness France feels toward Steve's work and money spending. The last 20 minutes turn the story dramatically into what I feel is more of a silly melodrama than it needs to be. Still, this is generally good and well made.

Stars: 2.5 of 4

Coriolanus (2011) (Saturday, January 21, 2012) (142)

Coriolanus is Ralph Fiennes' modern interpretation of the Shakespeare Roman play. Adapted by playwright-cum-screenwriter John Logan, the film is set in our contemporary world, where "Rome" is a contemporary country at war with an invading force from Volsci. On its surface, Roman looks much like any Western superpower of today: they drive Mercedes-Benzes, they watch 24-hour news channels, they get into bitter political and diplomatic debates. The Roman general, Caius Martius (Fiennes) fights a protracted battle against the Volscian leader, Tullus Aufidius (Gerard Butler), and when he comes back after the victory he becomes a national superstar.

Renamed Coliolanus, after the town of Corioles where the battle took place, he quickly becomes a bright political star. The problem is that he's very conservative and doesn't believe people who don't serve in the military should be entitled to food and power. Rome is in the midst of major protests from the poor (very similar to what one might see on the television today with any Occupy rally in the world) and Coriolanus takes a rigid and extreme position.

Just as he is about to win more political power, he is ousted from the Senate and banished from Rome. With nowhere else to go, and with his mother (Vanessa Redgrave) and wife (Jessica Chastain - her 6th supporting role of 2011) working to restore his power behind the scenes, he joins his once-enemy Aufidius to try and retake control of Rome.

This is Fiennes' directorial debut and he does a really good job with it. The leap of a Roman play taking place in our contemporary world totally works and looks great. Cleverly Fiennes sets up transitions as small news segments on cable news, so the story flows easily without confusion and naturally inside the world we see. Rome is filled with a diverse group of people from around the world, with John Kani, a South African actor, playing Cominus, the head of the Senate. All of this gives the sense that Rome is a powerful and far-flung empire filled with people from all around the world who speak in many different accents (much as it must have been, of course).

I am particularly interested in how straightforward the story is (with not many story elements cut from the play) compared with other tragedies and Roman works. The characters' motivations are all very clear and interesting, and Coriolanus' own vengeance, even in the face of his mother, wife and son, is fascinating. This is very good movie and one that works very well as an adaptation. Clearly Fiennes knows what he's doing behind a camera and I look forward to seeing more from him.

Stars: 3 of 4

Arena film izle

Arena (Türkçe Dublajdır.)
Filmin Yapım Yılı: 2011
Filmin Yapım Yeri: ABD
Filmin Türü: Gerilim - Aksiyon
Filmin Süresi: 94 dk.
Filmin Yönetmeni: Jonah Loop
Filmin Oyuncuları: Samuel L. Jackson,  Kellan Lutz,  Nina Dobrev,  Daniel Dae Kim,  James Remar,  Derek Mears,  Johnny Messner,  Vanessa Branch,  Katia Winter,  Marcelle Baer,  Lauren Shiohama,  Mayra Leal,  Beau Brasso,  Sam Medina,  Monica Acosta
Filmin Senaristleri: Tony Giglio,  Michael Hultquist,  Robert Martinez
Filmin Yapımcıları: Mark Williams,  Brad Krevoy,  Mike Callaghan
Film Hakkında: Arena filmi 2011 de çekilmiştir. Aksiyon ve gerilim dolu sahneleriyle hoş vakit geçirmenizi sağlayacak bir filmdir.
İyi seyirler dileriz...
Not: Filmin 72. dk sından sonrasını izleyebilmek için modeminize reset atıp kaldığınız yerden devam edebilirsiniz. Ya da diğer alternatif videolardan kaldığınız yere sararak filmi izleyebilirsiniz.
Not(2): Ayrıca filmi Putlocker ile izlerseniz herhangi bir izleme sınırı yoktur. Hiç sıkıntı yaşamadan, modeme reset atmanıza gerek kalmadan izleyebilirsiniz.

Putlocker ile izlemek için tıklayın.

Gina Carano owns Steven Soderbergh's HAYWIRE

HAYWIRE (Dir. Steven Soderbergh, 2012)







Although I had not seen a trailer or read anything about it going in, I caught on quickly that this film is simply an excuse to string together a series of acrobatic fight scenes showcasing the mixed martial arts skills of Gina Carano.



Thing is, it’s a pretty good excuse.



The plot, something about the CIA trained Carano getting set up and betrayed on a mission, really doesn’t matter, because this movie is all about the kinetic, extremely well choreographed, and superbly shot fight scenes.



Surrounding Carano is a cast of familiar faces: Ewan McGregor, Michael Douglas, Antonio Banderas, Bill Paxton, Channing Tatum, and Michael Fassbender, but I believe had those same roles been played by a bunch of unknowns, it would have the same effect, because, again, it’s all about Carano’s game.



On the run from an international manhunt, Carano hijacks the car of the scruffy Michael Angarano in upstate New York, and she tells him (and us) how she got there, so we get flashbacks of set pieces in opulent settings.



For instance, a hotel suite in Dublin in which Carano and Fassbender have a brutal scuffle; it’s polished violence with class as the couple is outfitted in expensive evening wear.



With its snazzy jazzy soundtrack by frequent Soderberg collaborator David Holmes, HAYWIRE bops along enjoyably from brawl to brawl. It’s a durable diversion especially compared to its competition (*cough* CONTRABAND) in this January dumping ground.



From 1989’s SEX, LIES AND VIDEOTAPE to last year’s CONTAGION, Soderbergh has dabbled in just about every genre (can’t wait for him to tackle Westerns), so why not an espionage revenge thriller with a kick ass hottie, who actually can kick ass in real life?



Here Soderbergh throws his new heroine into the ring with Laura Croft, “The Bride” from KILL BILL, and Lisbeth Salander (either Noomi Rapace or Rooney Mara - it doesn't matter), and by the end of it you’ll be convinced that Carano would be the last one standing.



More later...

Ziyaretçi - The Caller film izle

 

Ziyaretçi - The Caller (Türkçe Dublajdır.)
Filmin Yapım Yılı: 2010 
Filmin Yapım Yeri: ABD
Filmin Türü: Gizem - Gerilim - Suç
Filmin Süresi: 92 dk.
Filmin Yönetmeni: Matthew Parkhill
Filmin Oyuncuları: Rachelle Lefevre,  Stephen Moyer,  Luis Guzmán,  Brian Tester,  Lorna Raver,  Alfredo De Quesada,  Cordelia González,  Aris Mejias,  Marisè Alvarez,  Ed Quinn,  Grace Connelly
Filmin Senaristi: Sergio Casci
Filmin Yapımcıları: Piers Tempest,  Luillo Ruiz,  Robin Fox,  Amina Dasmal
Film Hakkında: Film 2010 yılında ABD de çekilmiş gizemli ve gerilim dolu sahneler içeren bir filmdir.
Filmin Konusu: Kocasından boşanmış Mary, gizemli ve esrarengiz bir kadın tarafından sürekli olarak aranır. Mary bu görüşmeler nedeniyle rahatsız olur. Arayan gizemli kadın onu geçmişten aradığını söyler. Mary o esrarengiz kadından kurtulmaya çalışsada gizemli kadın onu bırakmaya niyetli değildir.
İyi seyirler dileriz...
Not: Filmin 72. dk sından sonrasını izleyebilmek için modeminize reset atıp kaldığınız yerden devam edebilirsiniz. Ya da diğer alternatif videolardan kaldığınız yere sararak filmi izleyebilirsiniz.
Not(2): Ayrıca filmi Putlocker ile izlerseniz herhangi bir izleme sınırı yoktur. Hiç sıkıntı yaşamadan, modeme reset atmanıza gerek kalmadan izleyebilirsiniz.

Vkontakte

 

Putlocker ile izlemek için tıklayın (Alternatiftir.)

THE ARTIST Is Chock Full Of Charm

THE ARTIST (Dir. Michel Hazanavicius, 2011)

There were a few times during this film that I forgot I was watching a modern movie.

So beautifully and affectionately does Hazanavicius and co. recreate the era and the aura of the Golden Age of Hollywood in this black and white wonder, that I felt like I was in an old revival movie house instead of the bland big box multiplex where I attended the screening.

For the first silent movie since Mel Brooks took on the genre in SILENT MOVIE in 1976, we get the story of a silent film star whose time in the spotlight may soon be over because the talkies are the wave of the future. Despite that arc, this film doesn’t have any spoken dialogue - except for a single scene that still has no talking but some sound effects – it’s silent from start to finish with white-on-black title cards to boot.

Jean Dujardin suitably plays George Valentin, who we first meet at a lavish film premiere of his latest movie in 1927, basking in the love of his audience. One of his fans, a wide-eyed wannabe starlet named Peppy Miller (Bérénice Bejo), through some cute circumstances, breaks into showbiz and her talking pictures take off, while Dujardin’s lose favor.

With only his Jack Russell terrier named Jack (Uggie in real life – who actually has a IMDb page) Dujardin loses his fame and fortune, and spirals down into squalor.

Of course it’s up to Bejo to be Dujardin’s saving angel.

As for the supporting players - John Goodman, as a cantankerous studio boss, is great as always, but he really only seems to be there to help this French film crossover to us Yanks. The also always great James Cromwell plays Dujardin’s valet, Penelope Ann Miller plays Dujardin’s long suffering wife, and Malcolm McDowell has a cameo as a butler. And, as a thousand other critics have already written, Uggie the dog often steals the movie out from under everyone.

Despite a fairly shallow storyline, THE ARTIST is chock full of charm. It’s also full of gorgeous cinematography by Guillaume Schiffman, who shot Hazanavicius’s hilarious retro spy satires OSS 117: CAIRO, NEST OF THIEVES (also starring Dujardin and Bejo) and its almost as funny sequel OSS 117: LOST IN RIO.

This clever and amusing old fashioned flick pays tribute to so many films over its 100 minute running time that it would be pointless to try to list them (I’m sure there’s a site out there that does), but I’ll just note the dining room scene nod to Orson Welles’ CITIZEN KANE, the homage to Billy Wilder’s SUNSET BOULEVARD in Dujardin’s washed up re-watching of his old films over and over, and the use of a bit of Bernard Herrmann’s score for Alfred Hitchcock's 1958 thriller VERTIGO at a crucial emotional moment.

That last one I mentioned because of VERTIGO star Kim Novak’s recent claim in the magazine Variety that the use of bits of Herrmann’s score (which they paid for and credited) equates “rape.” I think that’s ridiculously extreme – lots of music from classic movies has been reused over the years, and the idea that this Award winning crowd pleaser tarnishes the famous Hitchcock thriller at all is ludicrous. 

I felt that composer Ludovic Bource, who otherwise fills the film with appropriate piano backing, and Hazanavicius were incredibly sincere in this execellent tribute.

But, hey, one man’s homage is another man’s rip-off, amirite?

More later...

The Best Films of 2011

I saw fewer movies in the calendar year 2011 (141) than any year since I have been keeping count, yet I really don't feel like I missed much good stuff (I've subsequently watched more films and have now seen 154 films total). I am shocked by how many movies are merely average (2 or 2.5 stars). I will say that when it came to making this Top Ten list, I struggled a bit to get it down to only ten titles... so I cheated....

I have a tie in 10th place, not only because I felt bad about cutting the list down further, but also because a set of film seemed to deal with material a similar way, Breillat's The Sleeping Beauty and Sciamma's Tomboy. Both of these deal with either child sexuality or pre-sexuality, that translates as sexuality, in an interesting way. I think both of these women directors imbue their works with film theory in a Freudian context and neither one is as easy as it might seem on the surface.

Some interesting statistics: There are two Iranian films on the list (even though Certified Copy was made in Europe and is mostly in English), there are two Romanian films (and a third on the honorable mentions list), there are two French films and a Portuguese film. There are two documentaries and three American movies (plus a Germanish movie... where Werner speaks English and riffs on Hollywood 3D movies of old). There are two films that clock in at three hours each and one that clocks in at four-and-a-half hours.

I think The Tree of Life is one of the best films ever made. I recently had to make up a list of the greatest 100 films of all time and I strongly considered putting this on that list (I only didn't because such an inclusion requires a bit more time to marinate, digest and live with). I can't think of another film that is so beautiful thematically and technically and moves the audience along in a similar way. This movie is really in a category entirely by itself and to compare it to anything else would be silly.

I also know it's a bit silly to have so many films in the "honorable mention" category, but I didn't want them to go unmentioned. Amid all the terrible movies, there were lots of good movies in 2011 and they should all be seen and enjoyed.

1) The Tree of Life
2) The Cave of Forgotten Dreams 3D
3) Aurora
4) Meeks Cutoff
5) The Future
6) Mysteries of Lisbon
7) The Autobiography of Nicolae Ceausescu
8) A Separation
9) Certified Copy
10) The Sleeping Beauty and Tomboy

Honorable Mentions:

* Beginners
* Drive
* Hesher
* The Kid with a Bike
* The Muppets
* Over Your Cities Grass Will Go
* Le Quattro Volte
* Nostalgia for the Light
* Pina 3D
* A Screaming Man
* The Skin I Live In
* Super
* Take Shelter
* Tinker Tailor Soldier Spy
* Tuesday, After Christmas
* Uncle Boonmee Who Can Recall His Past Lives
* Weekend

The Worst Films of 2011

So 2011 had lots of mediocre movies and lots of really awful ones. Here is my "bottom 10". They range from the facile and deeply offensive (both historically and intellectually) to the ridiculous and the stupid. I hope all of these films are burned and are never shown again. They're terrible.

1) The Help
2) Sarah’s Key
3) Rise of the Planet of the Apes
4) Transformers: Dark of the Moon 3D
5) Miral
6) Twilight Saga: Breaking Dawn - Part 1
7) Super 8
8) The Roommate
9) Margaret
10) Extremely Loud and Incredibly Close

Honorable Mentions:

* L’Amour Fou
* Thor
* Midnight in Paris

Başsız Süvari - Headless Horseman film izle

Başsız Süvari - Headless Horseman (Türkçe Dublajdır.)
Filmin Yapım Yılı: 2007 
Filmin Yapım Yeri: ABD
Filmin Türü: Korku
Filmin Süresi: 87 dk.
Filmin Yönetmeni: Anthony Ferrante
Filmin Oyuncuları: Billy Aaron Brown,  Arianne Fraser,  Elizabeth Prestel,  Brent Lydic,  Rebecca Mozo,  M. Steven Felty,  Richard Moll,  Trish Coren
Filmin Senaristi: Zachary Weintraub
Filmin Yapımcıları: Paul-edouard Laurens,  Kenneth M. Badish
Film Hakkında: Başsız Süvari filmin 2007 yılında ABD de çekilmiş olan bir korku filmidir.
Filmin Konusu: Çok uzun zaman önce öldürülen bir süvarinin mezarından kafatası çalınır. Süvari uyanır ve başını bulana dek herkesin kafasını tek tek keserek etrafına dehşet saçar.
İyi seyirler dileriz...
Not: Filmin 72. dk sından sonrasını izleyebilmek için modeminize reset atıp kaldığınız yerden devam edebilirsiniz. Ya da diğer alternatif videolardan kaldığınız yere sararak filmi izleyebilirsiniz.
Not(2): Ayrıca filmi Putlocker ile izlerseniz herhangi bir izleme sınırı yoktur. Hiç sıkıntı yaşamadan, modeme reset atmanıza gerek kalmadan izleyebilirsiniz.

VideoBB

VideoZer (Alternatiftir.)

Putlocker ile izlemek için tıklayın (Alternatiftir.)

Arthur (2011) (Tuesday, January 18, 2012) (140)

This new Arthur movie, with Russell Brand, Hellen Mirren and Greta Gerwig, is a remake of the 1981 comedy of the same name with Dudley Moore, John Gielgud and Liza Minnelli. Today we find ourselves in another economic pit and what will make us happier than watching a drunk asshole win by being sober and less of an asshole.

There are a handful of updates or tweaks, but most of the story is the same. Arthur (Brand) is an out-of-control billionaire who does anything and everything he wants to do in New York City. His best friend is his butler Hobson (Mirren), who constantly insults him with a sharp tongue and generally looks after him. He is told he'll lose his money unless he marries Susan (Jennifer Garner), the heiress of another gigantic fortune, partly because she is a proper fit socially and partly because it would be a good business move for his family company.

Just as he's about to settle down against his well, he meets Naomi (Gerwig) who is a middle-class girl from Queens who runs illegal tours of New York (which is almost the same as stealing from Bergdorf Goodman, of course!). He falls head over heels for Naomi because she's honest and smart and has to figure out how to keep his money and win her over.

I like the original film, but I don't love it, yet it's much, much better than this heap. Brand is a total asshole and not appealing at all. Part of the reason the first film works at all is that Moore is charming and generally likable, even in his drunkest. Brand is a lot more juvenile than Moore was, more like a kid with a lot of money than a man who behaves badly.

Mirren is great in this role, though I think it's the ultimate straight-man and it's written well (Gielgud was also great in this role as well). Gerwig is always fabulous, though it's still weird for me to see her all clean and with makeup on as I always think she does better when she's more natural and awkward, less scripted. Her character is less loud and crazy -- because she's not Liza, with all that she brings -- and I think the connection here between Arthur and Naomi is more suggested by the context of the story than shown clearly.

This is a totally recycled film that really has no business being remade. I don't think this adds anything to the original film (which is still pretty funny) and I can't figure out why anyone would want to watch Brand, who is a total hack.

Stars: 1 of 4

X-Men: First Class (2011) (Wednesday, January 18, 2012) (141)

X-Men: First Class is the origin story for this comic-book series. After a CIA agent sees a group of people behaving with super-human powers, she enlists the help of Charles Xavier (James McAvoy) who is a researcher in human mutations. Xavier himself has powerful telepathy abilities and his best friend is a girl named Raven (Jennifer Lawrence) who can transform herself (clothes and all) to look like anyone she sees.

Meanwhile, a Polish Jewish Holocaust survivor, Eric Lensherr (Michael Fassbender), who has the magnetic power to move and control metal, is out trying to avenge the death of his mother at the hands of the Nazis as well as years of experiments performed on him for the Nazis by Dr. Sebastian Shaw (Kevin Bacon). Shaw, the consummate eugenicist, believes normal humans are terrible and they should be wiped out and replaced with mutants.

At some point Xavier (with Raven) and the CIA meet up with Lensherr and they all join forces. It seems the CIA is trying to collect all the teens in America who have these mutant powers. With the help of a massive computer helmet, Xavier is able to find all these kids and bring them in. Shaw uses the Cuban Missile Crisis as the stating ground for his massive overthrow of humanity and Xavier, Raven, Lensherr and their teens have to stop him.

This is a fun movie and I generally like "origin" stories. It's neat to see where characters I know come from and what they looked like younger (hotter, yes). There are lots of fun set-ups with the teens training their powers and learning how to use their skills for good rather than evil.

Still, the dialogue throughout the film is ridiculous and much of the acting is too. Jennifer Lawrence (who I really liked in Winter's Bone) is particularly bad here (and is certainly not helped by the silly lines she has to speak). Fassbender, who is a great actor, again struggles with his accent here. It's all a bit of a mess, as it was with him in the film Shame, where there was a ridiculous line about how he was born in Dublin and moved to New York, as a way to get around his terrible Americun accent.

This doesn't really take away from the fact that this is generally a fun action super-hero movie set in the 1960s that generally looks great and tells a good story of choosing to be good or evil.

Stars: 2 of 4

Kareteci Kız - High Kick Girl film izle

Kareteci Kız - High Kick Girl (Türkçe Dublajdır.)
Filmin Yapım Yılı: 2009 
Filmin Yapım Yeri: Japonya
Filmin Türü: Aksiyon
Filmin  Süresi: 81 dk.
Filmin Yönetmeni: Fuyuhiko Nishi
Filmin Oyuncuları: Rina Takeda,  Yuka Kobayashi,  Rumi Maeda,  Yasushi Higuchi,  Yû Misato,  Kyôji Amano,  Tatsuya Naka,  Misako Nagashima,  Ryôko Gomi,  Keita Ôsone,  Hisae Watanabe,  Kazutoshi Yokoyama,  Shuya Yoshimoto,  Yôsuke Takino,  Kazuma Takeda,  Ichirô Sugisawa,  Aya Sugiyama,  Ryûki Takahashi,  Fuyuhiko Nishi,  Masahiro Sudo,  Kazuma Yamane,  Akihito Yagi,  Shinji Suzuki,  Kumi ımura,  Sayaka Akimoto,  Yû Kamio,  Mayu Gamou,  Tatsuya Mori
Filmin Senaristleri: Fuyuhiko Nishi,  Yoshikatsu Kimura
Filmin Yapımcıları: Akira Yoshida,  Taku Nishida,  Ken Nakanishi,  Fuyuhiko Nishi,  Yoichi Sakai,  Art Birzneck,  Kazuki Kanamori,  Motoko Kimura
Film Hakkında: Kareteci Kız (High Kick Girl) filmi, 2009 yılında Japonya'da çekilmiştir. Aksiyon türünde bir yapıttır.
Filmin Konusu: Rina henüz 17 yaşında bir lise öğrencisidir. Ama bir o kadarda yetenekli ve hızlı bir karetecidir. İlerleyen zamanlarda özel güçlere sahip birileriyle karşı karşıya gelecektir. Ama buna daha hazır değildir. Ustası onu hazırlamak için elinden geleni yapmaktadır. Rina'da elinden geleni en iyi şekilde yapıp kendini daha güçlü ve ileriye taşımak için çalışmaktadır.
İyi seyirler dileriz...
Not: Filmin 72. dk sından sonrasını izleyebilmek için modeminize reset atıp kaldığınız yerden devam edebilirsiniz. Ya da diğer alternatif videolardan kaldığınız yere sararak filmi izleyebilirsiniz.
Not(2): Ayrıca filmi Putlocker ile izlerseniz herhangi bir izleme sınırı yoktur. Hiç sıkıntı yaşamadan, modeme reset atmanıza gerek kalmadan izleyebilirsiniz.

VideoBB

 

VideoZer (Alternatiftir.)

Putlocker ile izlemek için tıklayın (Alternatiftir.)